Intuition, Emotion and Visualization
Abstract
Although academics continue to try, the creative imagination remains an elusive animal evading scientific attempts to define or systemize these processes.聽 Artists often have little explanation for how they create 鈥� they just do.聽 It becomes a habit, a way of observing the world, of feeling and seeing what happens around them with a unique attentiveness that allows them to reinvent and recompose the experience musically, visually and physically.聽The creative process is intuitive and personal and the result is received by the audience as subjectively as it was created.聽Tiala says that she cannot explain how she creates in any quantifiable terms, but聽she can attempt to聽give us a glimpse of the visual experience.聽 Join her for a scenic designer鈥檚 look at 鈥榳ays of knowing鈥� 鈥� and be prepared for moments without words.
Speaker Bio
Crystal Tiala聽is a professional, union scenic designer who has worked in the entertainment industry since 1982 and designed over 80 productions. She received her MFA in scenic design from the University of Connecticut.
In addition to designing numerous Boston College productions since 1999, Tiala has worked for regional theaters throughout the East coast including The Emerson Majestic, The Boston Conservatory, StageWest, The SpeakEasy, Merrimack Repertory Theater, and Worcester Foothills Theatre in Massachusetts; Barter Theater of Virginia; Bristol Riverside Theater in Pennsylvania; Two Rivers Theater in New Jersey, the Rybinsk Theater in Rybinsk, Russia; The American Stage Festival in New Hampshire; the Connecticut Repertory Theater, Connecticut Opera, Trinity College, and the University of Hartford in Connecticut. Various other experiences include: Interior Design, Event Design, Equity Stage Management, Props Design, Charge Scenic Artist, and Lead Construction on the films Lincoln, Pet Semetary and Heart of Dixie.
Tiala is Chair of the United States Institute of Theater Technology/New England Section and the Design and Chair of Design and Technology for the Kennedy Center American College Theatre Festival Region I. She is a Scenic Design member of the United Scenic Artists local 829 union.
Event Photos
Crystal Tiala at the Boisi Center (Photos by Caleb Cole, Boston College MTS Photography)
Impromptu art expressing personality discussed in talk (Photos below from the event are by Suzanne Hevelone)
Luncheon colloquium members looking at photos
Event Recap
Set designer Crystal Tiala, Associate Professor of Design in the Theater Department, gave a lively and hands-on presentation entitled 鈥淚ntuition, Emotion, and Visualization鈥� on March 11. Tiala described the process of designing a set, which involves research about the show, its historical context and the playwright. Using the collected information, she begins to develop an idea of what she wants the set to look like. She emphasized how important context is and argued that the context in which one sees an image is just as important as the image itself. Unlike many other academics, Tiala said, she 鈥渋ntuits鈥� things based on her own observations; she visualizes and does not verbalize. This can make her feel like an outsider in the university community, she noted, because her work does not necessarily come across as 鈥渁cademic鈥� to those in other disciplines.
To challenge the audience鈥檚 tendencies towards words rather than images, Tiala engaged the audience with image cards and slides, asking everyone to contribute ideas about what sort of emotions the images evoked. She included images of several of her own sets from shows at Boston College and elsewhere, as well as collages her students created. The audience offered a wide-ranging mix of ideas and perspectives in response to the variety of images Tiala provided.
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FURTHER READING