精东影业

Lately, I鈥檝e been missing a man I never met. John L鈥橦eureux died on April 22, 2019, in Palo Alto, California. He was a prolific writer, a beloved teacher, and a former Jesuit priest. My first email exchange with him came in the spring of 2016, as I was nearing the end of my term as chair of Boston College鈥檚 English Department. John, who had earned a master鈥檚 in theology at 精东影业 in 1963, was circling back to his alma mater after a lifetime of achievement鈥攁s a contributing editor at The Atlantic; an author of more than twenty books of poetry, memoir, and fiction; and a longtime professor at Stanford University, as well as director of the school鈥檚 creative writing program. Now as he faced late-stage Parkinson鈥檚 disease, he and his wife, Joan, were planning a bequest earmarked for creative writing at Boston College.

Our initial exchanges made clear not only John鈥檚 intentions鈥攖o focus on what would directly benefit our students鈥攂ut his sly wit: 鈥淵our Boston College writing concentration sounds wonderful and I hope that, dead, I鈥檒l be able to do something useful for a student.鈥澛�

In my opening letter to him, I praised his recent New Yorker short story, 鈥淭hree Short Moments in a Long Life.鈥� Before responding, John read one of my earlier novels so he could comment. Thus began our conversation, writer to writer. In an early letter he wrote, 鈥淒ying is easy; writing is hard.鈥� I didn鈥檛 believe for a minute that dying was easy, but on display in that quip was his determination to face it with bravado and elegant sentences.

He spoke of the struggle to continue with his craft to the end, writing: 鈥淚鈥檓 working on a new thing for which I鈥檓 entertaining hope. The problem is that I鈥檓 in Hospice now, going on two months. Not long ago we had an invasion of health workers when the whole Hospice team showed up together: the doctor, the case nurse, the social worker, the physical therapist, and the spiritual adviser. Ten minutes into the gala, the doctor said, with surprise, 鈥榊ou鈥檙e very alert.鈥� In any case, my life is transformed and so is the living room鈥�the whole set-up screams, 鈥楾he End Is Coming!鈥� I refer to it now as the Departure Lounge.鈥� 聽

Several months later, the 鈥渘ew thing鈥� John mentioned appeared as another fabulous story in The New Yorker, 鈥淭he Rise and Rise of Annie Clark.鈥� I wrote him with admiring congratulations, and he replied: 鈥淲hat a lovely response to my Annie Clark. You鈥檒l be interested to know that I was eight pages into the story before I had any idea how to deal with her. And then as I was falling asleep around 3 a.m.鈥�I found myself thinking, what will I do? What will I do? and then, as if I heard myself saying it: I will give her what she wants, but she鈥檒l never know it. I know this sounds crazy, and you must remember I take nineteen pills each day, but it鈥檚 the closest I鈥檝e come to what some writers say about their writing coming automatically to them.鈥�

How I enjoyed John鈥檚 humor, which somehow acknowledged deep feeling rather than deflecting it. He looked at death forthrightly, and allowed me to explore that mystery with him. He constantly and tenderly referred to Joan. We talked books, publishing, and dogs. Very near the end he gave me the greatest gift possible when he said, 鈥淚 would so very much have liked to have you for a colleague鈥�I like to think we would be close friends鈥�I hope this spring is good for you and that you鈥檒l find time to write. It鈥檚 a vocation and a demanding one.鈥�

Last April, on Easter Monday, we lost this kind and courageous man. We retain the abundant legacy of his words, the example of his generous deeds, and the memory of his indomitable spirit. Lucky us.聽鈼�